Review of ‘Springsteen: Deliver Me From Nowhere,’ an atypical biopic that puts a face to The Boss’ traumas

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In 1981, Bruce Springsteen’s “Hungry Heart” was everywhere—blaring from radios coast to coast as The River catapulted him toward rock superstardom. It was proof that Born to Run (1975) and Darkness on the Edge of Town (1978) weren’t just lightning-in-a-bottle moments. But while America was singing along, the Boss himself was retreating into silence.

That silence birthed Nebraska, and now, its story finally gets the spotlight it deserves.

A cabin, a cassette, and a crisis

At the end of The River tour, Springsteen hit pause. He rented a modest house deep in the woods of New Jersey—just 50 miles from New York City—and shut out the world. No entourage. No press. Just a guitar, a notebook, and the ghosts of his past.

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Springsteen: Deliver Me From Nowhere, directed by Scott Cooper and based on Warren Zanes’ book, isn’t your typical rock biopic. It’s a raw, unflinching look at the emotional unraveling that led to Nebraska (1982)—Springsteen’s most stripped-down, soul-baring record. Gone were the anthems of working-class hope. In their place: haunting tracks like “Atlantic City,” “My Father’s House,” and the title song, each echoing the pain of a man grappling with depression and unresolved trauma.

The lo-fi cassette recordings, made on the most basic equipment, give the album a raw texture unlike anything else in his catalog. Imperfect, intimate, and unforgettable.

Childhood shadows and emotional reckonings

To understand Nebraska, the film takes us back to Springsteen’s childhood. At age nine, his mother would send him to the local bar to fetch his father. Alcoholism and undiagnosed mental illness created a volatile home life—one filled with shouting, shattered glass, and emotional scars that never fully healed.

Review of ‘Springsteen: Deliver Me From Nowhere,’ an atypical biopic that puts a face to The Boss’ traumas

Jeremy Allen White delivers a standout performance as Springsteen, capturing the artist’s internal battles with remarkable nuance—especially in the quiet moments. Thankfully, the film relies on original recordings rather than reenacted performances, preserving the authenticity of the music.

This isn’t a concert film. It’s not a highlight reel. It’s a portrait of a man on the edge, staring into the abyss and finding catharsis through creation.

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Landau, loyalty, and the fight for ‘Nebraska’

One of the film’s emotional anchors is Jon Landau, Springsteen’s manager at the time, played by Jeremy Strong. Far from the stereotypical profit-chasing agent, Landau believed in Bruce as a person. He went toe-to-toe with CBS Records to ensure Nebraska was released on Springsteen’s terms—even though the label was hungry for hits and the project began as a double LP that included early versions of songs that would later appear on Born in the U.S.A. (1984).

Review of ‘Springsteen: Deliver Me From Nowhere,’ an atypical biopic that puts a face to The Boss’ traumas

What if those tracks had been released earlier? Would Born in the U.S.A. have hit the same cultural nerve? The film doesn’t answer that—but it raises the question.

The film takes creative liberties, especially in portraying Springsteen’s romantic relationships. These detours sometimes slow the pacing and distract from the central narrative. But when it sticks to the music and the emotional journey behind Nebraska, it’s riveting.

The sound design is a triumph. Every scene in the recording room is a gift to fans.

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Final thoughts

Springsteen: Deliver Me From Nowhere isn’t a celebrationit’s a reckoning. It’s about the moment when Bruce Springsteen, poised to conquer the world, nearly lost himself. And how Nebraska became his lifeline.

The film premieres October 24, 2025, at 8:00 PM EST. For fans of Springsteen—and anyone who’s ever found healing in music—it’s essential viewing.

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